FICHIER GUITAR PRO v4.06А DљПBetter than anythingTuck and PattiThe Best of Tuck and PattiTuck and Patty1994 - Windham Hill RecordsARJ van den Berg.-http://www.tuckandpatti.com/tuckscorner.shtmlŒ98This tab is Tuck's accompinying of Patti's song "Better 21than anything". Because she's singing like she's 76playing percussion, I didn't even try to tab her part.#"I challenge you to give it a shot.87This tab does not even try to fully match the sound of 87Tuck's very complicated and brilliant play. I wrote it 65down while I tried to immitate his play, acting as a 32menomonic device for me. This tab may help you as 98well in learning something of his style, but you should >=really listen to his original recording to get the point and the rhytmic feel.Corrections (many)==============="!Most important sections to watch:%$Sections 1d/2d/3d with chord changes$#Section 4c with different harmonics21Sections 4ad/4d with important chord changes and different fingering General:=======32C1. Ghost/dead notes (x): Many notes I originally 32tabbed are not really played but just happen when playing.43I have placed them in brackets (Eg. bar 38). Other 98dead notes of which I think Tuck really plays them, are :9moved to the correct string (Eg. bar 27). Often they are :9(a) the result of quickly playing the basic rhythm while 32moving your hand already to the next chord or (b) 43extreme staccato playing which makes the note more like a tick then a full tone.65C2. Phrased notes: Some notes I thought were played, 43probably aren't: a single note may be "phrased" by 76another note (which seems to devide it rhytmically in 32two) or by Pat's singing. (E.g. bar 16 or bar 43).10C3. Harmonics/reverb: Some notes I thought were .-played are probably just higher harmonics in 76combination with reverb and just happen when playing. ! I have removed them (E.g bar 24)76C4. Rhytm: Note: although the rhytm is a swing rhytm, 32Tuck plays it sometimes more towards a punctuated 87rhythm. I have tried to simplify a few things by using :9grace notes instead of short beats. This better reflects the basic rhythm (Eg. bar 28)./.Both have resulted in a simpler transcription.List of all corrections:================Bar 2: Palm muteBar 4-5: Notes and fingeringBar 6-7: Palm mute, C2 Bar 16: C2 Bar 24: C321Bar 27/29/31/37/39 (and many more): C1, moved to correct string Bar 28: C4 Bar 30: C1 (dead note removed) Bar 32: C1Bar 34: Notes changed87Bar 35: Chord is played in basic rhythm. Last note is 0/part of next chord, therfore fingering changed. Bar 38: C121Bar 41: Notes between brackets: the result of a  delayed slideBar 41-46: Slide to next beat Bar 43: C2Bar 44: Slide added Bar 46: C2Bar 49: Chord corrected!Bar 50: C1 (simplified) Bar 52: C2,+Bar 53: C1, Chord corrected! (see also 49)Bar 54: Fingering changed32Bar 55: Fingering changed, C1 (note not actually played between brackets) Bar 56: C1 Bar 58: C1Bar 62: Simplified notationBar 63: Note is dead noteBar 64: Simplified notationBar 70: Different timing"!Bar 71/72/73: Slide to next beat= two-note chord98Bar 139: Three-note chord -> two-note chord, slide into next beat,+Bar 142: Three-note chord -> two-note chord32Bar 143: Three-note chord -> two-note chord, bass #"note changed, slide into next beat21Bar 144: Grace-note removed, fingering changed!!!:9Bar 145: Grace-note moved to first note, slide into next beat"!Bar 146-147: Slide into next beatBar 148: Slide added54Bar 150: !!! Very important change in fingering and chord.-Bar 152: Chord changed, slide into next chord65Bar 154: Four-note chord -> three-note chord, slides %$added as grace, dead note at the end0/Bar 156: !!! Very important change in fingering43Bar 157: Dead note is bass note (accidently played dead?)"!Bar 159-162: Slide into next beat'&Bar 163: I think the F# should be an E0/Bar 164: Bass note just before chord is hit, C1! 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