Fearless: V- H2 J9 \0 J; {0 x
Tuning: Capo 3
+ O* i |0 K% z% {2 }& s2 r1 ]: a% Y. G) Z3 q8 @1 u/ _; f8 C8 Y! Q4 @1 y6 E: [
D A Em G x2
6 j/ |3 q6 t R, ?6 `6 P) i I9 P* s+ d" E8 N! g' J% X; v' F
D4 x, J0 l" E4 A& n+ p- A5 F$ D
There's something 'bout the way
' w; D1 X' x0 tA Em) X7 j3 v0 X' A$ o
The street looks when it's just me
% l) @9 q; D) R9 w/ k7 { G
1 C( }' C9 d- `1 [7 yThere's a glow off the pavement
( _/ d k# d& @! U4 i$ f D
/ M. t; p2 d& G- hWalk me to the car% F$ J5 ?3 Y* Z8 e/ u; r" a4 b
A Em2 W/ [5 H: q& G& _
And you know I wanna ask you to dance right there
- \( `8 P$ K# J+ l- Q3 r& `' X/ L. Y6 C7 } G( F, E. Z- b5 Q. H$ y# b( N% C: W
In the middle of the parking lot* n: @. s1 X: T% u. M3 X, f2 c0 E
D A Em G
; f9 j+ V- e4 h- i. @- b" RYeah Oh Yeah1 ]/ ~4 W+ U6 K5 B& o1 N6 \
D
# G5 R8 F6 w" DWe're drivin' down the road1 P: h1 R" `$ w( I) A
A Em. J4 g6 M6 R" ~
I wonder if you know3 t6 R# z5 [* J. w
G* b9 L( F+ e( \$ j. U2 A
I'm trying so hard not to get caught up now
' }3 n1 u- p$ q* D' v6 LD E9 q5 U0 T& b2 u
But you're just so cool% q2 V- t' i7 [1 k( b
A Em# S4 Q' j6 O) ]# O8 R, [1 f
Run your hands through your hair0 }9 n2 E( H5 e
G A
7 Q) m0 K5 P: O s' l- RAbsent-mindedly making me want you5 a/ y" N$ z, X; s1 o8 `# i* \
) V6 }, X* u! }. p* Z B6 M9 i
! G- m% }$ y! Z; C! H9 v6 M w) c- pD A
0 M/ k( s3 X7 v" oAnd I don't know how it gets better than this
+ C4 f e" ^9 C2 Q; r" F* |Em G A
/ ?; |: [4 ]* i! U5 c, M# x( HYou take my hand and drag me head first, fearless
1 P3 {; m0 d$ X1 o( _D A( s, `: J" Q5 |8 @% |
And I don't know why but with you I'd dance5 @/ X0 i: _9 ~ J+ a" }5 F
Em G A7 a( m* [3 C/ ~$ Q" Q( @# v$ B
In a storm in my best dress, fearless
) \5 I2 T7 |- \; m2 v `$ P, E/ D! s: h p
D A Em G
6 F$ N" s& Z) q- ^1 y# ~9 Z5 L6 R" Q
D A- i5 R9 c3 x0 e( n' B" K0 A
So baby drive slow till we run out of road
4 N1 H2 ^/ H% v% R6 bEm
; B$ C0 l2 C, g6 A( XIn this one horse town/ `' R- S: S' v2 G+ }7 h
G D
7 i' W' L) W/ |1 r- f" NI wanna stay right here in this passenger seat
. T* v0 @1 W9 @4 h) u% [, nA5 T$ m1 a* Y- i) I7 R* K& H `+ ^
you put your eyes on me, |9 x0 b- x1 y8 z% U
Em G A
' @! y# N6 v2 J5 [) y+ rIn this moment now capture it remember it
- F. j, Q* |' ?; ~; o/ q; z9 m. ]/ Z5 i6 B5 x+ V* F1 ^
D A% Q3 W% c- R( Y' h, a* H
Cause I don't know how it gets better than this# N; @4 D: m7 ~0 l4 N' r5 W
Em G A2 Q k5 {; H/ W- c. P1 F- C
You take my hand and drag me head first, fearless
# X# n9 I7 g# s pD A
3 v* C$ y9 @1 [( [And I don't know why but with you I'd dance
5 t4 @5 p5 e: g% `$ _Em G A
# [% w# W; A; X' rIn a storm in my best dress, fearless; F$ S" F, Y2 F: ]
1 M0 L, t' p& l2 ?8 M3 y
Cadd9 D
* E$ ]; _- T$ dYea you stood there with me in the doorway
2 i' A. X; O8 \& \5 G Em Em7 G A
' d/ x4 G, t9 k7 Q0 Xmy hands shake & im not usually this way* y6 |2 N9 o& k: l
Cadd9 D
3 w V" R$ h: [* u, }But you pull me in & im a little more brave
1 J$ v/ d4 U- d Em Em7 G
3 L& {. m2 ]" k6 [It's a first kiss, it's flawless, really something
9 M, b; G' y1 ^7 r# Z A D( ~9 Q* N$ a/ @( t! ~0 \% y: J
It's fearless
4 [0 {8 R6 t/ U7 r6 E) g% qD A Em G* s) E( p) U; E+ A
Ohh.. Yeah5 U4 R* k1 d" ]6 K- m3 q
0 A7 b. D S9 V8 ^, q! \& u/ M. gD A
2 f( d; N( m- f$ k" A" uAnd I don't know how it gets better than this# b% V+ w% f- b4 o5 j
Em G A' j3 T6 Q3 b$ D) ?/ ~: D: @( j
You take my hand and drag me head first, fearless
2 Q/ L' T8 `9 D( o4 RD A( }' Y+ `, F( S7 j) K
And I don't know why but with you I'd dance
& ^0 E, ^. @' P2 Y- CEm G A& i3 ]- D, J' Z r3 @
In a storm in my best dress, fearless6 _ }3 Q/ U, V1 F/ s+ f" i* c
+ l$ ` r/ t* A' u. P4 G2 `. i* N; PD A
9 }! ~( Q4 j) h) y/ r4 [4 g/ G Yeah I don't know how
, M" i. F7 ~1 Q% H( \3 Y" QEm G D A
* \/ W- I$ y& B1 cOh.. oh, yeah, yeah |