Fearless
& F! u# T2 X5 r7 a5 r( E* S3 |4 HTuning: Capo 3 l8 V3 O1 b; J5 I; l
, Q# }5 t% {/ c# T6 TD A Em G x2, g5 r* `+ H+ |1 e: W5 v/ c1 W
7 f2 ~7 c0 O! v& V( s! S+ _
D5 b6 c+ C4 ^+ A1 d: v
There's something 'bout the way: x& u( @8 z7 [, l. k0 F# K- I% z: ]
A Em# h7 m& A8 P3 C3 s3 ^1 ~' f
The street looks when it's just me4 q0 ^+ B/ B9 v1 n, B/ R
G) s' k- `8 @7 u7 {
There's a glow off the pavement
% u: V- J0 {1 g7 z( r D
1 p3 X: [6 w7 d2 T0 `Walk me to the car' D# D' p/ h+ z2 Q0 G- y
A Em
" w* h% G2 V0 l5 K" p N/ SAnd you know I wanna ask you to dance right there5 I4 q. i. `5 d: `. b
G6 ?8 b$ l Z+ o: r9 k5 G& o1 F
In the middle of the parking lot! X# ?& D5 g% u) a7 D6 t1 U
D A Em G
" P! V* }2 I. g; A4 [Yeah Oh Yeah4 b5 c; A% W& s, N
D/ B$ z& k; O/ z C' b! i8 S7 G& ?
We're drivin' down the road( Q5 F5 A* N2 C
A Em5 G0 [* r9 b6 |$ N" K: k
I wonder if you know' P. s- @, N4 k! u5 [
G- Y6 q6 f, P/ F) B# J6 _( G/ ]
I'm trying so hard not to get caught up now
9 o0 e d# f$ s; P/ c7 A, s9 a; KD( @2 l9 q4 i% \2 c+ p
But you're just so cool4 e. m+ Y, x) ~5 P$ z. w' i
A Em8 ]' q0 d* v' a: x3 K8 n% Y$ ]
Run your hands through your hair
. \4 }7 N7 ]* z: Q1 v G A
5 @. ?$ V- r9 J0 bAbsent-mindedly making me want you" ^& f/ y) j2 x' h) x3 h: |
6 G; B' A% h* F
. P8 ~! p2 z3 K1 [6 N4 r; kD A+ }" Z1 U' O* u) j" T( b6 Q
And I don't know how it gets better than this
1 M& ]3 Y% x, J8 d+ u7 mEm G A
6 R) \$ V! x. G8 V$ AYou take my hand and drag me head first, fearless
+ }/ Z4 X) e) i, Z" w9 MD A( R& o. @" i& s& T
And I don't know why but with you I'd dance
* G7 Z' n$ L' E7 sEm G A
! U$ { \" U: g$ J2 B8 j4 aIn a storm in my best dress, fearless }' n' y' Y. W6 T
1 Y$ s- ]8 A" ~ i3 H
D A Em G, Z G+ R8 q! @: h4 R
( ^9 A( N% {2 t$ D$ Z8 LD A
1 N) f8 C; _+ @ a7 I$ @( ~( bSo baby drive slow till we run out of road2 x8 M' X. D4 a2 u
Em1 {/ b" ?; X. X3 u' N) r
In this one horse town
, @/ ~# r; C' v, `" j' fG D9 z6 x7 b; \1 t C. v8 G
I wanna stay right here in this passenger seat
( X6 R* n% V q! P4 ]A
! ~: W# O. L( M$ I1 E4 yyou put your eyes on me; n. O, f( t2 O: @& w% t
Em G A8 ?: ~6 T6 V3 _. e
In this moment now capture it remember it
% J; J% A8 W3 n g1 u) m K* H. G' d
D A
3 c8 t T" l: d7 P( n1 C5 ?Cause I don't know how it gets better than this6 r# Z- _$ T) Y4 i9 a* p
Em G A/ T H$ V- Q. i$ O) [7 d2 ?
You take my hand and drag me head first, fearless
) y$ a& h. q0 CD A8 I2 h. U6 k. y
And I don't know why but with you I'd dance, s$ x6 n9 f' N: S6 f, |- p
Em G A% K+ _* L; T5 R) x
In a storm in my best dress, fearless
. ]4 p7 z% k/ z5 [0 X5 h! e/ J! g; J" S" @) k
Cadd9 D0 X6 I& x$ U+ G* t- B* {# H9 ^
Yea you stood there with me in the doorway" N3 b' @& O O" R9 ^. \: V6 v( g1 X: O
Em Em7 G A& f8 Y# H: n# S1 ]- p
my hands shake & im not usually this way T3 @* r6 O6 l0 E6 W! {) R6 {7 w
Cadd9 D
! @) ^$ Q3 }4 y+ n0 ?: U6 ]But you pull me in & im a little more brave9 P, O9 n) }, `: J8 @) \
Em Em7 G o: U' r# ]0 ^# P k
It's a first kiss, it's flawless, really something
8 K& K, h& Q' T A D6 l1 Z. @) N, t$ b% a
It's fearless+ f$ C/ n% h2 ]4 }0 n3 J. R* K
D A Em G5 I0 M% _5 z) X- \3 t `! p6 {
Ohh.. Yeah
; D+ M: S' O5 L9 y& I" Q( [. C! { p
D A
% m: _8 A9 t6 Y3 o2 ?( DAnd I don't know how it gets better than this6 h. |; r; p! Z% j6 T5 b
Em G A! L/ S$ O: x" `* [# Y5 S* ?
You take my hand and drag me head first, fearless4 w4 r& [/ P/ d7 L
D A7 a( B4 f% w$ w7 i
And I don't know why but with you I'd dance1 f; O8 y8 Q2 H* A0 J5 D
Em G A
7 a7 m, d. B! b( AIn a storm in my best dress, fearless
$ |3 H& {+ j; F: L. O `3 R
5 v7 D& V; f/ o* ED A
9 p, |3 T0 a/ m) ~$ x Yeah I don't know how R6 b K/ _1 V" ?# q7 ~
Em G D A
/ @6 t* O' f( @1 ] n K+ u6 |Oh.. oh, yeah, yeah |