Capo 4& a( U5 o8 q& @5 r, H
0 C+ o, T5 Y$ n; iIntro:
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e|----------0-0-0-0-------1-1-1-1-0--|) h4 |; _5 G1 C: T* M0 b
B|--1-1-1-1---------0-0-0------------|/ b% V+ J- u) y* U, |0 |& ~6 m* k' i
D|-----------------------------------| x31 p' g! P# [) _" |5 t% N- V
G|------------------------0-0-0-0-0--|
9 x- C6 b6 O- V6 i( F9 K( a3 GA|--0-0-0-0-3-3-3-3------------------|6 q5 J7 ]4 N) V4 L0 K$ E2 W& R6 V3 v8 W) D
E|------------------3-3-3------------|& ^3 \8 [" }) Y: F% ?0 G c
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Am C G Dm ; J8 y, J- z4 S. D+ F; H! s h
A Red One (Konvict)
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Ga Ga (oh oh, eh)' X' d" j0 u) a; Q# U
9 E) E- U y2 a7 O6 k3 l; ?) W6 NAm C G Dm. H6 w) o5 i, r ~6 c" `
I've had a little bit too much, much (oh oh oh, oh), m; O1 q; `! d& I |
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All of the people start to rush, start to rush babe. C. g# E: q/ A( i; ~
Am C G Dm
$ o1 s( P6 Q9 g" E7 `How does he twist the dance, can't find my drink or man6 R& n6 a- \% L( b; T# _5 |
Am C G Dm$ f" k$ [9 p- f3 K( u; k$ A8 x: U
Where are my keys, I lost my phone, phone" g3 w$ k7 X& H; _9 V) r% K" o
% \5 g0 Q |/ K9 a7 @! n/ nBridge:
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What's going out on the floor? % k& r" I! r4 C; o9 Z, P/ J' i+ ?, [1 ~
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I love this record baby, but I can't see straight anymore5 ]# T3 O+ M( ]1 T- O- S0 A
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Keep it cool what's the name of this club? 6 q( a9 f/ I* p9 e1 \2 @) S$ ~! K6 e, \
5 e" Q9 T5 H3 aI can't remember but it's alright, alright
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2 E' }" c. r, d% f2 _Chorus:
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, A6 v( X- h8 y. r3 f: P# ^9 pJust dance, gonna be okay da doo doo doo
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7 }7 l! Q2 C6 V* `. u; B( i' u* D1 JJust dance, spin that record babe da doo doo doo
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7 A% f* {/ r) S/ Z3 ZJust dance. gonna be okay duh duh duh duh5 `. y: P! O6 x: h
Am C G Dm
+ r# x. `4 Z- D! l a9 L5 bDance, dance, dance, Ju-just dance
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Am C G Dm
: X: p9 I: J% lWish I could shut my playboy mouth (oh oh oh oh)
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How’d I turn my shirt inside out, inside out right
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Control your poison babe, roses have thorns they say2 {9 d& g: E0 K. C) m8 n
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And we’re all gettin’ hosed tonight (oh oh oh oh)
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Bridge
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2 ~& V' P0 F$ D( M ]5 X& u$ |Am C G Dm
3 K q+ P( ~6 E4 u: w$ D# iWhen I come through on the dance floor checkin' out that catalogue* a9 _- y! g" x% C; i8 c" b( F
Am C G Dm
' g: q1 @ k& F: I3 @3 \Can’t believe my eyes so many women without a flaw7 i2 G6 s3 P( K3 F
Am C G Dm
* ?2 |# f# F1 R/ {And I ain’t gon’ give it up, steady tryin' a pick it up like the call
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I’ma hit it, I’ma hit it and flex and do it, until tomorr’ ) n# r# \& R' N
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4 s4 I& E; }0 L$ q5 XYeah, shawty I can see that you got so much energy
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The way you twirling up them hips round and' C+ L4 H. f4 r( X2 E" ~1 G; Z
F Am
2 s# \8 F$ V- K$ j+ ?5 Y/ URound, and there is no reason, I know why you can’t leave here with me
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In the meantime stand, let me watch you break it down and
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Chorus
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Am C G Dm x41 G2 O& @+ N" k; Z) Z' L& }
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Half psychotic synchypnotic
/ T, G' c" [* Q' h+ OGot my blue burners and phonic# ]$ I+ i3 c; h% t0 q& ]$ O* o8 |
half psychotic synchypnotic
# G( @/ ^( P# I6 qGot my brand electronic: O9 `% i( A" Y6 M" C: S
Half psychotic synchypnotic# _% u8 {* R- |1 b3 k: f+ S
Got my blue burners and phonic
! U0 t7 }9 `+ M9 ^! N2 t& OHalf psychotic synchypnotic
& h+ h# H2 ~5 R. ~Got my brand electronic
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Go Use your muscle carve it out work and hustle
" I; }. {7 ?" C% I* }; M1 U; WI got it, just stay close enough to get it+ T; M: ^3 B! Y4 [
GO slow. Drive it, clean it like so pleaded7 V: `6 c# F: J3 x8 o6 g/ v" V
spend the last dough (I got it) j* r- K' e4 I2 T3 E0 J
in your pock-oh (I got it)4 q! r/ t) |& f/ w0 Z$ `$ ?1 ^" D# c
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Chorus |